Sanctuary – the endangered species in my garden

My garden is nothing special – a patch of scrappy lawn, laid on top of builders’ rubble in this newbuild estate, surrounded by wooden fence panels, enlivened by a few plants in pots brought with us from our previous home.  But this past summer, it has been a place of sanctuary for an endangered species.

It started in the spring – our first in this house – when a small flock started lining up on the fence most days, communicating in their characteristic, monosyllabic ‘CHEEP!’ and speculatively eyeing up the garden.  One of the gardens on the opposite side of the road is bristling with bird feeders, so they were well provided for in terms of food.  But it was shaping up to be a dry spell, and it seemed that the most helpful thing we could do was to provide water.  I duly purchased a small glazed plant saucer from the garden centre, added a pebble (to prevent bees, who also frequent bird baths, from drowning), placed it on the patio far enough from the house not to spook the birds with our movements, and filled it up with water.

Within a day or two, the bathing facilities had been enthusiastically adopted.  For a couple of hours in the morning, and again at midday, queues would form on the fence.  I joked that they were lining up, their towels draped over their wings, waiting for their turn in the bath!  At their peak, once the first broods had fledged and the fluffy youngsters joined their parents, there could be as many as twenty individuals at any one time.  Down at the bath, there were rarely fights (although one particularly large male could be very aggressive), and it was not unusual to see anything up to six birds splashing around at the same time. 

We learned a number of things from watching the birds over several months.  When they come down to drink, they take three sips – never less, and rarely more.  Bathing is a vigorous business, and can go on for several minutes, resulting in a large pool of water all around the bath.  This also means that the bath needs to be topped up several times during the day, especially during a heat wave!  When it is nearly empty, they will fly down, stare into the bath, attempt to bathe, and fly back up to the fence, returning several times before giving up.  After a nice, long, splashy bath, the next stop is the top of the fence, and a lengthy preen (see photo), which can last several minutes and includes forceful wiping of the beak on the edge of the fence panel (the reverberations can be loud enough to be heard in the house).  Occasionally, the bathing has obviously been sub-standard, and the bird will stop in mid-preen and go back for another go in the bath, before resuming preening.

Sometimes, the birds suddenly disappear.  The chorus of cheeps is abruptly silent.  It is worth looking around, because there will usually be an aptly-named sparrowhawk perched on a roof somewhere, surveying the options for lunch.

Mono photograph of three sparrows on a wooden fence.  The one on the left has its back to us.  The one on the right is facing us, and we can tell by its black bib that it is an adult male.  The one in the middle has its back to us and its wings extended, feathers spread, as it preens.  Image Copyright Lisa Tulfer 2022.

Why aptly-named?  Because the endangered species that shares my garden is Passer domesticus, the House Sparrow, which at one point was one of the commonest bird species around human habitation in the United Kingdom.  However, populations have declined by more than 50% since the 1970s, resulting in the sparrow being on the RSPB’s Red List of endangered species.

The House Sparrow is a small, sociable, finch-like bird, with brindled brown and black markings on its upper parts and greyish cream underparts.  The adult males have a distinctive black bib – it has been fun watching the young males, even when still partially fluffy, starting to develop the beginnings of their black bibs.  They live in groups, and it is not uncommon in suburban areas to walk past a bush which is full of loud cheeps from a group of invisible (but very audible!) sparrows.  They pair for life, and normally raise two or even three broods per year – we saw the last youngsters being introduced to the garden as late as September.  This year has evidently been a good breeding year here, as the group has at least tripled in size since the spring, and it’s great to think that we have been able to contribute – by providing sanctuary and water – to the conservation effort for this species.  Hopefully they will escape the avian flu which is spreading so worryingly amongst wild bird populations in the UK at the moment (we have tried to do our bit by disinfecting the birdbath frequently).

The last few weeks it has gone very quiet in the garden.  After raising their young, groups often move to nearby farmland to feed on the hedgerow berries and the leftovers of the harvest.  The bird feeders in the garden across the way are largely deserted, too.  No doubt we’ll see them again if there’s a hard winter – access to water is often more of a problem for wild creatures when there’s a freeze than finding food.  Meanwhile, we have the memory of sharing our garden with this endangered species, being given a glimpse into their busy lives and social interactions (and bathing habits!), and hopefully having helped to secure the next generation of Passer domesticus.

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Book review. The Hare and the Moon: A Calendar of Paintings by Catherine Hyde

As regular readers of this blog may have gathered, I am a bit of a fan of the hare.  I was delighted, therefore, to find this rather wonderful little book with the evocative title The Hare and the Moon: A Calendar of Paintings.  It is pleasingly square, with a tactile cover, which is always a good start.  And it had me at the first page, which is an illustration of the three hares motif!

There are a number of elements to the ‘calendar’ aspect of the book.  A poem, with the refrain which recites the folk names for the full moons (The Snow Moon, The Wolf Moon, The Hunger Moon, The Sap Moon etc) is woven through it.  Each month then has six themes.  There are black and white illustrations of the moon phases.  There are double page colour paintings of the hare in the seasonal landscape (I especially like January, where the hare is joined in the snowy countryside by the barn owl and the raven).   There are Indian ink drawings of the hare in action and at rest.  For each month there is a flower, a tree, and a bird, each accompanied by a colour painting and a note about the folklore and alternative country names.  For example, June’s flower is honeysuckle:

“Used for rope-making in the Bronze Age and also known as woodbine, honeybind, trumpet flowers, Irish vine, Goat’s leaf, sweet suckle and fairly trumpets.  Honeysuckle grown around the entrance to the home prevented a witch from entering and would bring good luck.”

The Hare and the Moon subtly weaves poetry and art together, blurring the boundaries and creating what has been described as ‘visual poetry’.  This is so much more than a book of poems and folksy factoids with illustrations.  The images have a dreamy quality which lend a timeless air to this charming book.  Perfect for reading, as I did, while curled up on the sofa on a dark winter afternoon, a steaming mug of tea by my side (think hygge!), this would make a fine Christmas/Yule present for anyone who loves the natural world, folklore, or art.  Or indeed hares!

 

(For more about Catherine Hyde, take a look at https://catherinehyde.co.uk/)